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BOT’s continual efforts to nurture existing client relations and build new ones face to face took Studio Co-Founder Sreyans Bardia and Senior Producer Frederick Lissau all the way to Europe’s VFX centre – ercenter – London, in the month of June. While in Germany it was all about planes, trains and automobiles; BOT’s latest travel was through London’s famous Tube.

“From Hammersmith and City to Bakerloo to Central to Victoria to Piccadilly to Jubilee and District & Circle – I think we rode through them all during our week long stay!” mused Frederick, who is very familiar with the city, having spent some years (2006 -2008) in London while doing a film for Universal. Reflecting on the trip, Frederick further added that, “The industry here is just in a state of continuous growth as films, TV series and commercials continue to use London as a hub for their biggest and most complex works.” As they continue to expand and build relationships with clients in the UK, BOTs feel immensely excited about the immense possibilities London has in store for them. Frederick continued, “The breadth of talent in this city is simply staggering. We were very grateful that many clients and friends took time out of their hectic schedules to meet with us and exchange ideas!” “It is always a pleasure to meet up with our old and existing clients & partners and engage with new ones. There’s always something new to learn from them on what works, what doesn’t and what we need to do to make it work, which is always great!”, gushed Sreyans, who spent his sabbatical in London in 2008, and has subsequently often visited the city as a part of BOT over the past few years. The wise words of good old Paddington Bear come to mind – “In London, everyone is different, and that means anyone can fit in”. Well, BOTs have already carved a little space for themselves in this city!

Ahmad Sulaiman Kano Mp3 Download more. Thanks to all the love the client’s shower on them. The responsibility of saving the world from a resurgent alien threat is thrust upon five teenage outcasts with an attitude. Together they must fulfill their destiny under the guidance of a mysterious alien mentor. Sounds familiar? It’s the Power Rangers in a brand new contemporary makeover!

Directed by Dean Israelite, the film boasts a stellar cast, with Elizabeth Banks taking on the role of Rita Repulsa, Bryan Cranston as Zordon and Bill Hader as Alpha 5. Multiple Academy Awards winner Digital Domain roped in BOT VFX to help with look enhancement, replacing the green suit stunt doubles with CG characters and prosthetic cleanup on characters. The Power Rangers’ suits come equipped with wiring called Energy Lines.

BOT’s Roto team’s main task was to provide Rotoscopy for all of those lines which were then used to generate glowing and pulsing energy that flowed through each suit. They used 3D tracks to stabilize the camera movement. They then used 2D tracking and frame by frame manual roto in both Silhouette and Nuke on the more complex shots. With some of the shots being as long as 2000 frames, this was a particularly challenging project. Production Coordinator Anand Ramesh explains, “It seems simple in theory, but most of the shots were complicated by heavy action, what with the characters constantly running, flying, flipping and performing crazy acrobatics.” Things were equally grueling for the Paint team as well. The major task was to paint out the stunt doubles from the original plates of some of the highest-octane shots. They would later be replaced with CG characters.

The work was not straightforward Anand explains, “We had to work on slow motion shots and recreate the background with very limited source to go on.” However, armed with clean plates for objects in different depths, the 3D camera track and set geometry from Digital Domain, the team set out to do what it does best. 2D Supervisor Srikanth Srinivasan elaborates, “Some of the trickier shots included those of the characters Zordon and Rita. Since the actors wore prosthetic suits, the main challenge before the team was to fix the obvious wrinkles and cracks that made the prosthetic makeup look artificial.” This called for meticulous paint work, which wasn’t exactly a straightforward job due to subtle muscle and skin movements. Digging into Nuke’s expansive toolset the team was able to track the subtle movements at pixel level, which helped achieve the desired results. Finally, three whirlwind months later, BOTs delivered over a hundred shots. “The kind of work this project entailed, it needed the Roto and Paint teams to work in super-efficient tandem.

We wouldn’t have made half the progress we did, if it wasn’t for everyone’s proactive and meticulous planning. That is what made this project a truly rewarding experience”, smiles Srikanth. If there’s anything that gets the BOT team going with superhuman efficiency, it’s projects like these that bring out the collaborative spirit in everyone. As the Red Ranger would say, “It’s morphin’ time!” Saban’s Power Rangers will be out on Digital HD June 13th and 4K Ultra HD, Blu-ray Combo Pack and DVD on June 27th. BOT VFX added a dash of their digital magic to the extreme skydiving, jetskiing, fistfighting action in xXx: Return of Xander Cage through their work on over 80 visual effects shots.

Third in the xXx series, xXx: Return of Xander Cage follows (obviously) Xander Cage (Vin Diesel), in his adventures as a criminal turned government secret agent. Cage in this outing gathers a team of equally badass cohorts in order to rescue a stolen government super weapon, from villain Xiang (Donnie Yen). Working with Academy Award winning VFX shop PIXOMONDO, BOT VFX assisted in two challenging sequences. The first was a fight sequence inside a cargo plane and the following sequence where Cage plummets to the earth sans parachute. In the fight sequence BOT’s artists were tasked with removing the rigs and stunt harnesses attached to each actor using digital paint, in order to make the characters appear to be in freefall inside the plane.

While painting out the rigs, the artists ran into obstacles in matching the grain. To overcome this BOT developed an in-house tool in Nuke to match the grain with the plate, which was essential for delivering on time. Adding to the complexity was the clothing itself. Maintaining the intricate camouflage patterns of soldiers and Cage’s jacket was a difficult and time consuming experience. In the following sequence Cage jumps out of the jet holding a crate containing a parachute, BOT had the challenge of matching greenscreen shots with stunt worked filmed thousands of feet above. BOT artists successfully overcame this challenge as they meticulously painted out the stunt rigs and harnesses in each frame and applied rotoscopy on Cage himself extracting him from the greenscreen. The team solely used the Foundry’s Nuke for Rotoscopy, using it to match motion blurs and defocus edges on the mattes.

Photoshop was used in digital paint shots that required frame by frame attention while Nuke and Mocha Pro were used on more procedural tracking shots. Department Head, Saravanan Sala, stated that “while facing challenges with matching perspective and parallax for the show; our creative team gained confidence handling the large amount of shots recreating the actors amongst all their rigging.” BOT VFX is proud of their part in helping to create the world of Xander Cage in his latest frenetic action adventure film and is looking forward to another sequel. “We ride not to escape life, but for life to not escape us.” After a whole year of dreaming, planning and deliberating, and six months of mapping out my epic road trip to the magical lands of Leh-Ladakh, I finally hopped onto the train from Chennai to Delhi on the 21 st of August, 2016. Choosing the places I would cover on my route was fairly easy, although the North East does spoil you for choices when it comes to views. I shortlisted places based on accessibility by bike, their historic importance, and the fact that many of these places cannot be visited all year. My roadmap was something like this.

When you get to a certain point in life, you find comfort in monotony, in the predictability, the routine – you know the drill. All’s well until one day, you’re in office, glued to your computer. And slowly, like drums approaching towards you from a distance, you feel it rising – the thumping in your veins, the electricity in the air, the unquenchable thirst for newer sights and sounds. The call of the open road, the pull of the unknown. You know nothing can hold you in your place anymore.

That’s pretty much the story of how I ended up in Manali. I had been planning this trip for nearly two months, and spent about 1 week mapping the itinerary. My aim was to cover the distance between Chennai and Manali on my bike, and explore some of the nearby villages in the area too. Finally, with my Pulsar 150 as my sole companion, I set out on a journey that was equal parts daunting, exhilerating and therapeutic. Over the course of the 8 days that followed, I would see all kinds of shifts in weather, terrain, cultures and views.

I was more than ready. My route went something like this: Chennai – Hyderabad – Nagpur – Gwalior – Agra – New Delhi – Chandigarh – Manali – Rohtang La Pass. Not mentioned above are the innumerable obscure hamlets and lazy towns that mark this entire journey. Anyone who’s done an epic road trip from any one part of India to another will know just how magical it is zipping through this constantly shifting geographical and cultural landscape. It’s like living inside one big kaleidoscope. Chennai to Hyderabad to Nagpur was smooth sailing. So far so good, no dramatic developments, no hiccups.

I was riding at a good speed and making good time. It was on my exit from Nagpur and into Gwalior that I got a close glimpse into the treacherous terrains spread all over my roadmap. The road was too rough, too rugged and I had to struggle to maintain firm control over my bike and keep my sanity in check at the same time. With no place to stop at and no room to rest, I had no option but to continue riding. On this stretch, I ended up riding for 15 hours straight in a single day! It is during these moments I seriously end up questioning my decisions and why I do what I do.

But then again, this is exactly why. Would biking bring a self-respecting biker any joy if it wasn’t such a giant terrifying pain sometimes? Not one to be bogged down so early into my journey, I rallied on like a trooper on a mission. Finally, I touched base at Delhi.

After sufficient rest, appeasing the hunger Gods and checking up on my bike, I made my way towards Manali via Chandigarh. I was so close to this place I’ve been dreaming of, I was sure if I stuck my tongue out into the air, I could taste the electric anticipation. Anticipation was soon met with further agony when I was crossing the Punjab border and the rain Gods decided to welcome me with brutally torrential downpour. I had to wait for it to pass, and was further greeted by now slushied roads and a frighteningly slippery terrain, which lowered my speed to a crawl. But soon, all of that cleared and I was came up close and personal with the picturesque vistas that Himachal is so known and loved for.

I rode through the tiny towns of Swarghat, Bilaspur, Sundernagar and finally to Mandi. Mandi is a charming little town dotted with innumerable apple trees. The air is crisp, mingled with a sense of sweetness and adventure. I couldn’t help but stop and admire this quaint beauty that we usually see only in the movies! Keeping me company was the River Beas that snaked its way through Mandi.

Beas rises from the southern face of Rohtang Pass at about 13,326 feet above sea level, cuts through Mandi at 1,920 feet, divides itself into three in the Kangra District and once again merges into one at an altitude of 1000 feet. Beas eventually joins the River Sutlej at Harike in Punjab.

Its foaming white waters gushing forward to meet its destiny, relentless yet tranquil, reinforced my resolve to make it to my destination without further ado. Manali was just two hours away now, and the magnificent Rohtang La Pass was four hours away.

My next stop was Kullu, nestled on the banks of River Beas. Serene temples, majestic hills and tall, solemn Pine and Deodhar trees, and sprawling apple orchards weave together this enchanting valley. Life moves at its own pace here – a jolting reminder to us cityfolk that slowing down is a good thing too.

Although lured intensely into staying a little longer, I made my way to Manali. Perched blisslfully between the peaks of Pir Panjal and Dhualdhar ranges, like a precious jewel in a crown, is Manali. Although ridiculously popular and crowded throughout the year, Manali still has its own charm.

It’s a real challenge to keep your sanity together when the thin mountain air coupled with adrenaline thumping through your veins, leave you heady and restless. And so, I rode further to Rohtang Pass. The distance between Manali and Rohtang Pass is 200 kms. But consider traversing these 200 kms as tightrope walking over a valley so deep, you can’t even see the bottom, while in the backdrop a fickle but turbulent weather is set in its ways to show who’s boss. I got on to the legendary Leh-Manali highway which, with its hairpin bends, sharp twists, curtains of fog and whatnot, is pretty much a death-defying roller-coaster ride. Located at a dizzying elevation of more than 13,000 feet. Venditore Vincente Pdf To Word.

I start from Manali at around 6,400 feet and drive upwards to Marhi, which is at 10,800 feet. The climb is steady and the air is getting thinner by the minute. Finally, I reach Rohtang sitting at 13,060 feet. My intense ride is sprinkled with some rain and light drizzle. When I finally reach Rohtang is when I finally stop in the real sense. There was no longer anywhere to rush to. This was it, the proverbial and somewhat literal zenith.

I get off my bike, take off my helmet, try to catch my breath and gather my wits. All in preparation for the wondrous work of nature spread out in front of me. You can see the most HD images on the internet, you can get all excited listening to your friends’ exciting tales from their trips, you can watch as many films as you like, but the real deal, witnessing the magic firsthand is an experience that’s just downright spiritual. If I had a camera, I had forgotten its purpose. If my jaw had dropped to the floor and shattered, I didn’t really care. The skies are the brightest blue, the mountains stand tall, proud, unafraid and fully aware of their splendour.

Where the earth ends and the sky begins, I could hardly tell. I was too occupied being awestruck by this love affair between the mountain peaks and the clouds. Time stood still. The only thing fluid was the and the wind. What I was feeling in that moment is hard to put into words. I had made it this far, from the tail end of the country to where I was, at the edge, the precipice of wonder and awe. I could live here forever, or for as long as the treacherous forces of nature would permit me.

But I knew it was time to leave. A good guest never overstays. I felt a dull ache in my heart at not being able to go further along all the way to Leh. But, I knew I wasn’t prepared, physically, mentally and even with my resources. However, that only filled me with more optimism – the sweet, sweet promise of return and the thrill of pushing my own limits.

Travelling alone through a journey brimming with all kinds of risks and dangers is scary, but it’s also zen. It’s the perfect route to self-discovery – of being your own hero, your own most trusted friend and your own sanctuary. I braved sun, snow, rain and heat. I was stuck in a forest in an unknown land and made it out unscathed. I negotiated language barriers, high altitude passes, broke bridges, bad roads, hostile weather and the complete lack of luxuries. I ate what I got and slept where I could. And I returned, with newer lessons learnt, a grateful heart, renewed spirit and an enriched soul.

This was my longest and boldest bike trip. This was my first bike trip, but definitely not the last. As for my appetite for adventure? Let’s just say, I already know where I’m going next!